Truelight OnSet 3D LUTs in real time based on the ASC LUT standard. Carry the CDL through the timeline to bake in or use for referencing later in Post.

Rogue Element Films

Full Rogue Element Flms Colour Management Services
LUT building Multiple LUT formats LUT conversion LUT adjustment
LUT ripping LUT preview Graphical 3D LUT display

Image re-sizing Image format/aspect conversion
File format conversion Image sharpening
Colour Space Conversion - Option ColourSpace LUT generation
Pre-set Colour Spaces, including:
P3 DCI D55
P3 DCI D65
Rec709
XYZ
User definable Colour Spaces
Colour Space matrix management

Network Connectivity (remote display calibration)
LUT Manipulation - Option
LUT Addition
LUT Subtraction
Invert LUT
Display Profiling & Profile Management

New colour calibration tools for Rogue Films coming 2010.

Images of the new Stwo flashmag plus the way it locks into the chassis of the OB-1.
Dan Mulligan
Data workflws

Here are some fresh images of the new OB-1 from Stwo.

Rogue Element Films has been working and helping to pioneer fully uncompressed file based data workflows for high end digital film cameras. We have stuck to our principles of DPX image capture and have has such created a number of firsts for the UK in this field.
New onboard recorders from both Stwo and Codex now help us take this another step forward for untethered recording, freeing up the cameras and allowing for seemless workflow paths for any recording enviroment.
Daniel Mulligan DP
Rogue Data

Here is S.two self-contained uncompressed recorder for HD, HD444 and raw production. Weighing in at under 7lbs (3Kg) (including the removable FlashMag) and drawing under 20W of power, the OB-1 completes most SDI digital cinematography camera, making them un-tethered, light enough for handheld or Steadicam operation, and powered directly from the camera. Not only is it light and low powered, the OB-1 is fully solid state and is completely silent in operation with no fans for those close up sound shots.

OB-1 fits onto most cameras and supports their native shooting modes. Use the F35 in S-Log mode and with ARRI D-21 and Alexa for uncompressed ARRIRAW recording to 3K including anamorphic support or shoot up to 60P with full ramping and variable frame rate support. It even allows multi-cam support for 3D and advanced recording formats.

The OB-1 reflects S.two unparalleled on set experience garnered through more than 80 feature movies and hundreds of other projects shot around the globe. It has full external timecode support, dual channel analog sync guide audio inputs and full trigger and tally I/O. With a host of easy, intuitive operating modes, the OB-1 is designed for any user to walk up to it and get it going without training or experience. The main screens reflect the operating modes with color codes (Red = Record, Green = Play, Blue = EE / ready to record) allowing the operator to tell status even from across the room.

OB-1 features the removable FlashMag – S.two’s new solid state high capacity high bandwidth on board storage magazine. It features up to 30 minutes of uncompressed 444 DPX file storage.  Featuring multiple levels of internal media redundancy the FlashMag can shoot for years of trouble free production.

Rogue Element Films

Data Team, file based workflow solutions UK

http://www.definitionmagazine.com/journal/2010/4/30/a-lut-and-how-to-use-it.html